Nazarbazi [the play of glances] is a film about love and desire in Iranian cinema where depictions of intimacy and touch between women and men are prohibited.
– – –
The film focuses primarily on images of women whose bodies have been erased and victimised in post-revolution cinema, and alludes to discreet forms of communication that operate within, yet also circumnavigate the censors. It attempts to touch the spaces we cannot touch; inner feelings/sensations – but also untouchability beyond physical contact: unspoken prohibitions/regulators that may only unveil as embodied experiences. The film uses poetry and silence as the only language/s with which we can attempt to touch these spaces of socio-political ambiguities.